An Aesthetic Approach to The Image of the Dramatic Play Between the Body of the Moroccan Actress and The Kurdish Actress : Paradoxes of Theatre and Cinema

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Assistant Professor Dr. Muntaha Tariq Husain Al Mhananwi
Assistant Professor Dr. Dilshad Mustafa Rahim Razawa

Abstract

The human body has always been the subject of politics and ideology as a point of focus of power and authority, and has been emphasised as an area of investment, its distinction, torture, or the strength and energy it imposes on itself. This body has been emphasised throughout history as a useful and convenient machine. This body, as a social interpretation, made a place for power and a subject of persecution and obedience; both social and political systems should put their silence on the body in order to excel. With all that is present at the global level of various discussions and opinions, the researchers notice this rudeness in the Middle Eastern academic fields in touching on such sensitive phenomena as destitution and damage to the academic body, its cultural restriction, its concentration on spoken speech and the word, and its lack of attention. It is optical in the theatrical and cinematic arts, and even in the photographic arts. Hence, we can point out that the visual fields can detect real notions of thinking and build another type of visual discourse, considering that contemporary culture is not only the culture of the spoken or written word, but rather it appeared as a different culture in which fine arts of all kinds mixed and debated, and this allows it to communicate and continue with others through various mediums, including the image and its significance. This study attempts to approach the manifestations of the female body in the visual arts, in particular theatre and cinema, by examining the experiences of Moroccan and Kurdish actresses, addressing areas of freedom that give them freedom of movement in dramatic play, whether in theatre or cinema, and analysing the possibility of using the body in the many attempts of directors who took their work as a way to convey a different view of women and their social status and deal with it as a different culture

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How to Cite
Assistant Professor Dr. Muntaha Tariq Husain Al Mhananwi, & Assistant Professor Dr. Dilshad Mustafa Rahim Razawa. (2023). An Aesthetic Approach to The Image of the Dramatic Play Between the Body of the Moroccan Actress and The Kurdish Actress : Paradoxes of Theatre and Cinema. Eurasian Journal of Media and Communications, 18, 1–18. Retrieved from https://geniusjournals.org/index.php/ejmc/article/view/4824
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